Rødland’s new show, which is currently on view at the David Kordansky Gallery in Chelsea, finds him experimenting with a fresh set of tools and unearthing old, unseen work. A majority of the photographs on display are recent pictures shot with a vintage 35-mm. Rollei 35S, an uncharacteristically low-res format for the artist. Rødland told … Read more
I was born underground and spent my early years on the run. By 1980, though, my parents had finally decided to turn themselves in. A plea deal awaited us in Chicago, but, for the deal to work, we had to make it to the courthouse in person. If we were caught along the way, my … Read more
That delirious excess befits the essence of Lapid’s method, which is a fusion of fiction with indigestibly and irreducibly nonfictional elements. That method was also evident in his previous feature, “Ahed’s Knee” (2021), in which a filmmaker (likewise referred to as Y) confronts censorship in Israel’s cultural bureaucracy while contending with his mother’s grave illness. … Read more
Listen and subscribe: Apple | Spotify | Wherever You Listen Sign up for our daily newsletter to get the best of The New Yorker in your inbox. The new play “Giant,” on Broadway, dramatizes the scandal around Roald Dahl, the beloved children’s-book author who, in the nineteen-eighties, began making antisemitic statements and invoking stereotypes about … Read more
For the director Mani Haghighi, his country’s rich cinematic tradition is a family affair.
Jude will soon do just that. Ion has been squatting in the basement of an apartment building, which is set to be levelled to make way for a luxury hotel called the Kontinental Boutique. Enter Orsolya, who shows up at the door with some gendarmes and an official eviction notice and gives Ion twenty minutes … Read more
Also: Daniel Radcliffe stars in “Every Brilliant Thing,” Robert Plant sings roots folk in a cathedral, a soulful retrospective of Beuford Smith, and more.
The superstar K-pop group took an almost four-year hiatus. A few things have changed since they’ve been gone.
Three years ago, the quasi-scripted comedy “Jury Duty,” an unassuming offering on the now defunct streaming service Freevee, became a social-media sensation through its particular brand of gentle brazenness. Its creators, Lee Eisenberg and Gene Stupnitsky, Frankensteined the series by stitching together two moribund TV genres—the mockumentary sitcom and the prank show—to construct something new, … Read more
© 2026 Condé Nast. All rights reserved. The New Yorker may earn a portion of sales from products that are purchased through our site as part of our Affiliate Partnerships with retailers. The material on this site may not be reproduced, distributed, transmitted, cached or otherwise used, except with the prior written permission of Condé … Read more