Building a State of Fear in “Extremist”

On November 16, 2023, Sasha Skochilenko, a thirty-three-year-old artist, poet, and musician, stood in court to give what is known in the Russian judicial system as the “last word”—final remarks of the accused before the judge delivers a verdict. Skochilenko, from inside a metal cage, where defendants are confined during courtroom hearings, said her case … Read more

The Best Films of 2025

This year’s best movies feel plugged in, inextricably connected to forces bigger than the ordinary faces of local and private authority—and confrontationally so, with a sense of danger and urgency amid forms of pressure that are all the more terrifying for acting invisibly and inexorably. In other words, these movies are all political thrillers—some of … Read more

Are We Getting Stupider? | The New Yorker

For nineteenth-century writers like Gustave Flaubert, the concept of stupidity came to encompass the lazy drivel of cliché and received opinion; one of Flaubert’s characters says that, in mass society, “the germs of stupidity . . . spread from person to person,” and we end up becoming lemming-like followers of leaders, trends, and fads. (This “modern stupidity,” Jeffries … Read more

How “The New Yorker at 100” Got to Netflix

COBB: Well, I’ll ask you the question that I use when I conclude any interview with any subject, which is: Is there anything that we haven’t talked about that you think is important for the audience to know? APATOW: We love Roger Angell. COBB: Everybody loves Roger Angell. APATOW: I just want that to be … Read more

The Obliging Apocalypse of “Pluribus”

Civilization outlasts humanity in the new sci-fi drama “Pluribus.” On the night that the world as we know it is destroyed, a novelist named Carol Sturka (played by Rhea Seehorn) sees cars and planes veer off course, an emergency room full of convulsing bodies, and her city, Albuquerque, on fire. The President dies under mysterious … Read more

The Composer Making a Hip-Hop Musical About Anne Frank

A few years ago, Andrew Fox was struck by a transcendently bad idea. He would turn the story of Anne Frank into a satirical hip-hop musical: intersectional, inclusive, and inane. Fox was a theatre-loving composer who had grown dispirited by the industry in general, and by humorless and preachy productions in particular. His gloomy outlook … Read more