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The Cruelty and Theatre of the Trump Press Conference

Playacting for journalists standing in an unruly huddle just off camera, Trump asked questions of the oilmen, wondering how soon they could suck the ground under Venezuela dry. “And you’re very much set up for the heavy oil, right?” he asked at one point. There was an implicit cruelty behind the exercise. He wanted the … Read more

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How Do You Write About the Inexplicable?

I’m a rational person. I grew up in a family of scientists. My dad, who studied the brain, told me when I was a kid that Santa and God didn’t exist. (Don’t say anything at school, he suggested.) My uncle, a molecular biologist, delivered impromptu poolside lectures on the recombinatory power of DNA. But my … Read more

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Louise Bourgeois’s Art Can Still Enthrall

In recent years, Noche Flamenca, New York’s finest flamenco troupe, has been taking inspiration from the art of Francisco Goya. The company’s aesthetic of bare-bones authenticity and banked-fire passion matches the painter’s dark candor. Situations and moods from Goya prompt and color the troupe’s usual loose collections of ensemble numbers and solos for its excellent … Read more

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The 2026 Oscar Nominations and What Should Have Been Picked

Wes Anderson (“The Phoenician Scheme”) Ryan Coogler (“Sinners”) Kleber Mendonça Filho (“The Secret Agent”) Josh Safdie (“Marty Supreme”) First, the legally required boilerplate: by definition, the best movie of the year is the one that’s directed the best. Last year, I made the case for separating the two honors for the pleasure of spreading the … Read more

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Donald Trump, Drama Queen | The New Yorker

© 2026 Condé Nast. All rights reserved. The New Yorker may earn a portion of sales from products that are purchased through our site as part of our Affiliate Partnerships with retailers. The material on this site may not be reproduced, distributed, transmitted, cached or otherwise used, except with the prior written permission of Condé … Read more

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Reading for the New Year: Part Four

This is Obomsawin’s take on Kaspar Hauser, a nineteenth-century German man who claimed to have grown up in a dark cellar, without any human contact. We meet him as a Gumby-like figure, asleep on a dirt floor, with only a jug of water and a toy horse. He has no idea how he got there. … Read more

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