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Movie news

Acts of Self-Destruction | The New Yorker

Friedkin’s film sucked much of the humor and twisted romance from the play, I realized, treating it as straight horror. Although I have some issues with the latest interpretation, directed by David Cromer (it veers hokey, and it is missing the feeling of the vertiginous, the fear that we might be at risk of falling … Read more

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Amanda Seyfried’s Epiphanies

The star of “The Testament of Ann Lee” and “The Housemaid” discusses letting go of judgment, working without hierarchies, and committing to the role of a woman possessed by faith.

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When a Man Loves a Cello

In January, 2022, the British cellist Steven Isserlis was walking to a professional engagement when catastrophe struck. The skies opened. Isserlis was holding the three-hundred-year-old cello he prizes above all other possessions, and he watched in horror as it was ruined in the pouring rain. At last, to his inexpressible relief, he woke up. Isserlis … Read more

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Bob Weir’s Feral Radiance | The New Yorker

Although Weir was a serious person it was easy to make him laugh. He made you feel when you were with him that he had no other place to be, that things had worked out to bring the two of you together, and that he meant to enjoy this gift from life. He could also … Read more

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Photographing the Golden Globes Winners

new video loaded: Photographing the Golden Globes Winners Chantal Anderson breaks down how she captured this year’s Golden Globe winners backstage on an assignment from The New York Times. By Chantal Anderson, Rebecca Suner and Laura Salaberry January 17, 2026

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Erich von Stroheim’s Spectacular Art Is Back

As Steuben, Stroheim assumed a military bearing and status that he’d never approached in his actual Army days. The performance style that he thereby invented set the mold for most of his future roles; it was a defining trait of his films, and it embodied the convergence of artifice and realism that defines the art … Read more

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