The Mental Pratfalls of Anne Gridley, in “Watch Me Walk”
Also: Jodie Foster’s new movie, New York City Ballet’s winter season, music inspired by the poetry of the Black Arts Movement, and more.
Also: Jodie Foster’s new movie, New York City Ballet’s winter season, music inspired by the poetry of the Black Arts Movement, and more.
© 2026 Condé Nast. All rights reserved. The New Yorker may earn a portion of sales from products that are purchased through our site as part of our Affiliate Partnerships with retailers. The material on this site may not be reproduced, distributed, transmitted, cached or otherwise used, except with the prior written permission of Condé … Read more
In 2019, it seemed possible that the next big country star would be a Navy aviation ordnanceman from Oklahoma named Zach Bryan, who recorded scruffy videos of himself hollering fervent lyrics about nights that lasted forever and relationships that didn’t. “I put as much thought as I could into, like, writing the songs,” he told … Read more
Dabis’s diagrammatically structured screenplay is built on clear historical parallels and tidy intergenerational contrasts. A young boy adores his father, yet grows up to be despised by his own son. Political rage seems to ebb and flow with each generation. All three major male characters experience Israeli settler violence, the consequences of which are brutal, … Read more
To start the New Year, New Yorker writers have been looking back on the last one, sifting through the vast number of books they encountered in 2025 to identify the experiences that stood out. This is the third installment in a series of their recommendations (read the first here, and the second here). Stay tuned … Read more
For this week’s Infinite Scroll column, Brady Brickner-Wood is filling in for Kyle Chayka. Shortly after Elon Musk purchased Twitter, in 2022, he claimed that “removing child exploitation is priority #1.” It was certainly a noble goal—social-media sites had become havens for distributing abusive materials, including child pornography and revenge porn, and there was perhaps … Read more
But get away Lidia does, and, finally free of paternal authority, she’s out of control: drinking and taking drugs, partying hard, flunking out, targeting a gentle guitar-playing boy named Phillip (Earl Cave) for a hearts-and-flowers romance even as she mocks and berates him. She goes to rehab, marries Phillip, gets pregnant, leaves him, and moves … Read more
“Death Wish” was the dark New York story of its era—an anti-“Annie Hall” for the armed and aggrieved. An architect sees his wife killed and his daughter raped by muggers and responds by embarking on a vigilante shooting spree. It’s a strangely existential movie, one that conjures the city and misrepresents it at the same … Read more
Lightbreakers, by Aja Gabel (Riverhead). In this thrilling work of speculative fiction, a quantum physicist is invited by a billionaire to participate in a secret project at a laboratory in Marfa, Texas. At first, the physicist’s wife, an artist, is excited to go along—her day job has lost its lustre. But, once in Marfa, the … Read more
In Clayton’s and Josephson’s hands, though, the fawn response becomes something more pliable, less a sign of acute threat than a broadly anxious orientation to the world. “For some people, fawning is about being more of who they are—smart, generous, successful, funny, or beautiful,” Clayton writes. “For others, it’s about being less: vocal, ethnic, creative, … Read more