How Matthieu Blazy Is Channeling the Spirit of Coco Chanel


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Marion Morehouse modeling Chanel’s drop-waisted evening dress with ombre fringe from 1926.

Photographed by Edward Steichen, Vogue, November 1, 1926

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Chanel, pre-fall 2026

Photo: Filippo Fior / Gorunway.com

Last week marked the publication of Chanel in Vogue, a two-volume tome that looks at the intersecting histories of the French brand and the magazine between 1910-2025. Gabrielle Coco Chanel was at the helm of the maison for a total of 46 years (she shuttered her ateliers during World War II and for some time after); Karl Lagerfeld for 36.

Chanel, who designed the clothes she wanted to wear, continues to be the brand’s North Star. Educated by nuns, this headstrong orphaned Frenchwoman turned demimondaine turned businesswoman, was not only her own best model but the archetypal modern woman who wanted easy, streamlined clothes she could stride through the world in. She prized action and agency and was dismissive of fellow designers who, in her view, merely used women as canvases for decoration.

Ahead of Matthieu Blazy’s sophomore ready-to-wear collection for the brand, and using images that appeared in Chanel in Vogue, here are some then and now connections that show how Coco’s spirit carries on.

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Chanel’s jersey dress with gold embroidered trim, 1916.

Illustration, Vogue, 1916

Chanel spring 2026 readytowear

Chanel, spring 2026 ready-to-wear

Photo: Isidore Montag / Gorunway.com

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