According to Buruma’s sources, life in 1939 proceeded much as before for most Berliners, albeit with less illumination (the street lights were turned off) and less food (beer, milk, and meat were rationed). Attendance at the city’s cinemas went up. Goethe’s play “Iphigenia in Tauris” was performed at the Volksbühne, and “Tosca” played at the Volksoper. Buruma quotes a woman named Hilde Korseck, who was studying medicine in Berlin when the war began. “We had a lot of fun,” Korseck told a television interviewer. “It was a wonderful time, especially at night when we danced with small groups of friends.” Buruma himself interviews a Berliner named Jörg Sonnabend, who was in elementary school when the war broke out. “As a boy I must confess I loved uniforms,” Sonnabend tells him. “But otherwise, things were entirely normal.”
That some Berliners would be having a normal, even wonderful, time of it as others “were being tortured in the Gestapo cellars on Prinz-Albrecht-Strasse, and murdered or worked to death at Sachsenhausen, is disturbing but should not surprise anyone,” Buruma writes. “Human beings adapt, carry on, turn away from things they don’t wish to hear or see.”
Soon, it became more difficult for Berliners to remain quite so oblivious. In August, 1940, the British started bombing the city; practically every night, the air-raid sirens screamed. The Nazis, who seem not to have anticipated that the war they had unleashed would come to their own capital, belatedly ordered the construction of massive bunkers. (After the war, one of these, designed under the direction of Hitler’s favorite architect, Albert Speer, was transformed into a Soviet prison, then a fruit storehouse, then a rave space. It now houses a collection of contemporary art.)
“Actually, hold that thought.”
Cartoon by Zachary Kanin
Most of the eighty thousand or so Jews who had stayed in Berlin or become stranded there were, initially, herded into Judenhäuser (Jewish houses). Among them was a relative of Buruma’s on his mother’s side, Hedwig Ems. In 1941, when the deportation of the city’s Jews began in earnest, Ems was in her early seventies. “Whenever you met an acquaintance, the first question was bound to be: ‘Are you going to commit suicide, or will you let them deport you,’ ” Ems wrote in an unpublished memoir. Trains bound for the concentration camps left from Platform 17 at the Grunewald station, today the site of another grim memorial. In her memoir, Ems lists twelve of her family members who killed themselves and one who was revived from an attempt, only to die later in Theresienstadt. Ems herself managed to survive Theresienstadt, an outcome she attributed to her decision to wear fourteen layers of clothes when she was rounded up.
In the summer of 1941, Germany justified its invasion of the Soviet Union as a preëmptive strike against the “Judeo-Bolsheviks.” The following spring, with the Wehrmacht bogged down outside Moscow, the Nazis staged a carnival next to the Berlin Cathedral, sarcastically titled “The Soviet Paradise.” Inside a series of tents, visitors could gawk at photographs that purportedly showed Soviet slave-labor camps and tour what was supposed to be a replica of a Russian village—one where people lived in holes in the ground. The macabre spectacle was a big hit: in just six weeks, more than a million Berliners flocked to see it. The propaganda photos, Buruma reports, were fakes; many of the laborers pictured were actually prisoners at the Sachsenhausen concentration camp, just north of the city, where at least thirty thousand people were killed.