While out promoting the album, Rosalía wore a sinewy, sheer Dilara Findikoglu fall 2024 gown while performing at the LOS 40 Music Awards in Valencia, Spain. The dress featured cream tulle panelling with a black overskirt—the angelic and the underworld aesthetics intertwining.
“I wanted to express divine feminine power somewhere beyond time, beyond reality, and beyond what is happening,” Findikoglu told Vogue of the collection at the time. The Dilaraverse and Rosalía’s visions for Lux orbit each other.
On the red carpet of the LOS40 Music Awards, Rosalía looked the part of a fall angel in custom Balenciaga spring 2026, with a feathered black cape and otherworldly creature crystal and black sunglasses. Another promo shot outfits her, in a state of intense prayer, in Jean Paul Gaultier spring 2004 corset gloves—a twisted, ascetic image.
Rosalía in Dilara Findikoglu fall 2024.
The video for goth-pop, avant-orchestral “Berghain” revels in archival, off-the-runway pulls, styled by Jose Carayol. There’s a clinging black dress and jacket from Alexander McQueen’s fall winter 2002 collection, sourced from London’s West Archive. “I wanted it to be romantic, beautiful,” McQueen told Vogue of the collection at the time. “Power to the women!” The designs melded milkmaid necklines with Helmut Newton-esque details like leather bodices and tight pencil skirt. It’s the same—sometimes pleasurable, sometimes painful—dichotomy that has fascinated the Catalan star.